Saturday 19 March 2011

Anish Kapoor- Turning The World Upside Down, Kensington Gardens

Anish Kapoor has had four works placed within the Kensington Gardens for the last 6 months. Each of the pieces are mirrors in some form, ranging in size and shape from gigantic tilted circles to ‘non shapes’.

The first work is a large circular piece which is tilted allowing the viewer to the see a new perspective of their current place. Not only is the size impressive but the reflection that the juxtapose angle creates is interesting and innovative, changing as you walk along. The same piece when seen from across the lake gloriously reflects the sky, absorbing the shapes and contrasts in their pure state. This piece viewed from either side or even the aesthetic of its actual form and size create a feeling of awe as does his second piece.

The second work is a long concave piece which when you face the reflection is inverted. The mirror is also split into 3 parts offering a closer or more distant image. However the most inspiring thing about this piece is when you walk around to the other side, a panoramic reflection hits you. It is almost like a high definition landscape painting. You need to remind yourself of what you are actually looking at as it is easy to forget and become swallowed thinking that you are looking ahead of you. It also creates a strange feeling, of seeing a panoramic view from behind you but then seeing that the piece is framed by the landscape that is in front of you.

The other two works are less impressive but still interesting, one a smaller circular form like the first piece but tinted red and the other a cone shaped ‘non object’ offering distorted inverted images that smoothly and constantly change and rearrange.

These works are the first exhibited in conjunction with and outside of the Serpentine Gallery. Hopefully this is the first of many.





Tracey Emin and Louise Bourgeois - Do Not Abandon Me

Do not abandon me is a collaboration between Louise Bourgeois and Tracey Emin. Both artists independently played their roles; Bourgeois created the backdrop and then handed the works over to Emin.

Bourgeois painted the male and female profile shapes in a palette of blues and reds using gouache pigment with water on paper which were later translated to fabric.
Upon receiving these watercoloured figures Emin predictably drew her Monoprint’s with statements such as ‘I LOST YOU’ scrawled across the works.
This project is quite disappointing as Emin has just repeated exactly what she has done for the last 10 years just merely on a new backdrop. Everything that was expected of her, she fulfilled. The themes are that of loss, abuse, abortion, sex, self-pity, destruction etc.
Bourgeois’ part was played quite safe with colour and shape and perhaps needed something to push the works forward hence where Emin would come in but unfortunately she didn’t execute anything new or exciting.
A collaboration of two strong, independent female artists and all they could create were pieces which showed hetronormative ideologies of women, how men make them weak, how they should of “loved more”. I am not too sure what to say about Bourgeois input in the final pieces as she only painted the backdrop but I find it hard to see these works as genuine on Emin’s behalf as not much effort has taken place.
The idea of this collaboration is more exciting than the execution.