Showing posts with label tracey emin. Show all posts
Showing posts with label tracey emin. Show all posts

Saturday, 19 March 2011

Tracey Emin and Louise Bourgeois - Do Not Abandon Me

Do not abandon me is a collaboration between Louise Bourgeois and Tracey Emin. Both artists independently played their roles; Bourgeois created the backdrop and then handed the works over to Emin.

Bourgeois painted the male and female profile shapes in a palette of blues and reds using gouache pigment with water on paper which were later translated to fabric.
Upon receiving these watercoloured figures Emin predictably drew her Monoprint’s with statements such as ‘I LOST YOU’ scrawled across the works.
This project is quite disappointing as Emin has just repeated exactly what she has done for the last 10 years just merely on a new backdrop. Everything that was expected of her, she fulfilled. The themes are that of loss, abuse, abortion, sex, self-pity, destruction etc.
Bourgeois’ part was played quite safe with colour and shape and perhaps needed something to push the works forward hence where Emin would come in but unfortunately she didn’t execute anything new or exciting.
A collaboration of two strong, independent female artists and all they could create were pieces which showed hetronormative ideologies of women, how men make them weak, how they should of “loved more”. I am not too sure what to say about Bourgeois input in the final pieces as she only painted the backdrop but I find it hard to see these works as genuine on Emin’s behalf as not much effort has taken place.
The idea of this collaboration is more exciting than the execution.




Wednesday, 17 November 2010

Gay Art


-          Identity is a hybrid which is constantly in negotiation

-          Why choose the trait of sexuality to define work?

-          Choosing different aspects of identity to become a definition, gay art, black art, feminist art, vegetarian art? Middle class art? Size 9 shoe art? Where would you begin to draw lines?

-          Straight people making homoerotic art (Steve McQueen)

-          If an artist is gay and black is it gay or black art? Which trait is more dominant?

-          Is all art white and male?  Is everything else a deviation?

-          Is art merely depiction or organic and from experience? 
     
      Does the origin of the art change the viewers perception?- Imagine Mapplethorpe’s work, would you see it differently if it was created by a 70 year old woman- would it still be gay art? Or if Nan Goldin’s work was staged by a hetronormative man.

-          Is art created inside out or visa versa?

-          The Political

-          If political it is still necessary

-          Is it mere wording? – Gay Art – Political Art due to homosexual themes

-          Definitions-Expectation-Audience

-          The notion of being too gay, overpowering gay themes. Overpowering heterosexual themes? Romeo and Juliet? Macbeth? Beauty and the Beast?

-          The notion of QUEER

-          Queer as identity/aesthetic/outlook not just sexuality

-          Is the work of Emin Queer? Monet? Marina Abramovic? – Is commercial art Queer? – The existence of the genre

-          What makes a piece gay/queer, the artist? the subject? the medium?
















Artists: Tracey Emin, Nan Goldin, Robert Mapplethorpe, Goodyn Green, Corinne Day, Raphael Perez
These artists are gay, straight, queer, black, white etc. etc. etc.
Could you define these works into categories under titles of race and sexuality?